
Bugs Bunny wishes to be at once virtuous and carefree and must repel antagonists (e.g. Elmer Fudd, Yosemite Sam, Daffy Duck, et al.) intending his demise or the usurping or undermining of his property or principles. Wile E. Coyote and Sylvester Cat have carnivorous desires for, respectively, the rapid Road Runner and the clever Tweety Bird. Rooster Foghorn Leghorn enjoys his fun and his bachelorhood, an existence complicated by a tiny chicken hawk, a barnyard dog that wants revenge for Foghorn's playfully violent attacks on his posterior, and a lovelorn hen. Daffy Duck vainly aims for fame and fortune. Pepe Le Pew seeks romance, despite his skunk's stench. Speedy Gonzales strives to provide nourishment for himself and his fellow Mexican mice, often in conflict with a mice-craving or cheese-defending Sylvester. Etc..
I have admired Looney Tunes and Merrie Melodies animated cartoon shorts (to which I will refer on this Website as cartoons) since pre-school. Vibrant, variable color, impressionistic design of characters and settings, and showy slapstick coinciding with subtly sophisticated humor endeared the Warner Brothers cartoons to me through my formative years- and they are therefore nostalgically cherished, plus appreciated on an increasingly mature level. I watched these cartoons on television and retained remarkably precise memories of their broadcast order in various compilation television series, having been intrigued by the combinations of particular cartoons with similar themes, motifs, etc., and I have chosen to share my factual knowledge of these television shows and impressions of the cartoons with the world.
Available here are information articles and episode guides for the television series by which Looney Tunes and Merrie Melodies and their anthropomorphized animal characters have been seen and enjoyed by several generations of people by the millions, with Spotlight Articles on specific cartoons or on cartoon personalities.
Of course, Warner Brothers does not have a monopoly on vividly imaginative animation, and I am not limited to Looney Tunes and Merrie Melodies in my cartoon fancies. Kindred spirits are rare for many of my preferences, such as for the mind-bending weirdness and desolate visuals of latter seasons of some of the television series listed below. Necessary, introspective, and often solitary journeys into extraordinary or alien locales happen frequently in my favored entertainments.
As with the Warner Brothers cartoon compilation television series, format of treatment here consists of articles and episode guides. The episode guides in a few cases do acknolwedge some of oft-stated criticisms of certain aspects of production or story-writing and do express my quibbles with some occasionally less imaginative story premises, but are on the whole reverent and, if I may say so myself, quite intelligently profferred.
| Other Animated Cartoon Television Programs | |
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![]() The Flintstones (1960-6) Page |
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![]() The Rocket Robin Hood (1966-9) Page | |
![]() The Spiderman (1967-70) Page |
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![]() The Pink Panther Show (1969-81) Page |
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![]() The Star Blazers (1979-80) Page |
Polar explorers, especially the ill-fated Scott of the Antarctic, a real-life man who ventured fatally into inhospitable territory, have fascinated me, too. I am mystified and awed by the frontiers of the Earth and of the universe and the dangers and unknown elements that exist beyond our everyday lives. So, conceptual science fiction (or science fantasy) has been a love of mine since age 10, and classic films and television series of the genre have been most stimulating.
And here are my often controversial master writings of study and interpretation of certain productions.
In my work on constructing this Website, I have had the opportunity, privilege, and pleasure of interviewing people of considerable importance in the production of some of my favorite entertainments.